A real screenplay editor with Final Draft and Fountain import, revision mode and live collaboration. Every scene heading, character and location flows straight into the breakdown, the schedule and the shot list. No re-typing, no copy-paste.
See the Script editor →
Origin: Ascension - script · breakdown · boards · call sheets · budget
Browse Origin: Ascension - a demo project designed to let you explore the app suite - script to storyboards to call sheets - exactly as a crew left it.
This DEMO is for explorative purposes and is shared as a view only example, some apps features do not work without a paid subscription.
One login, zero downloads, all you need is an internet connection. From £15 a month.
From the first blank page to the final wrap.
StoryboardCanvas is a professional script-to-shoot-day software platform for producers, directors, writers, designers, and all the crew that contribute to the script-to-screen process.
A tool to empower human teams, not replace them.
The mission is simple: give every filmmaker professional-grade production tools, whatever the budget.
Every app, every tier
Every plan from Hobbyist to Enterprise ships the full suite. Tiers differ on seats, monthly credits, cloud storage, white labelling and queue priority - never on capability.
The morning briefing your bond company will read first.
Twelve industry-canonical categories, tagged in seconds.
Top sheet to bottom line. Variance the night before.
Stripboard scheduling your 1st AD will not fight you on.
DPRs, BTS gallery, the on-set log that organises itself.
Auto-built. Email + SMS dispatch. Weather built in.
Roster, deal memos, character bibles. Cross-app synced.
Scouting, permits, logistics. Every scout, mapped.
Inventory + costume continuity in one searchable library.
Picture cars and unit. Insurance, plates, drivers.
Crew + equipment manifest. The on-set source of truth.
The screenplay editor that writes the breakdown for you.
Built from your script. Lens, framing, every shot.
Storyboard frame editor. Boards your director will sign.
Professional brushes. GPU canvas. In your browser.
Style-locked image generation. Your own custom artist.
Screenplay to playable animatic in one click.
The launchpad. Every project at a glance.
Every asset, every version, every project. Searchable.
Real-time channels, project-scoped. No more lost threads.
The whole production - script to wrap - captured from a real feature inside the actual suite.
Script → shoot day · one suite, powered by DollyAI™
One tool that replaces a £4,500+/year stack of single-purpose software and outsourced talent for as little as £15/month, built around the people on set, not the people replacing them. Script to wrap, in one project file - with an AI co-pilot beside you in every app, while the human filmmakers still make every real decision.
No sign-up needed - step inside a real production (Origin: Ascension) inside the actual app suite. Fully read-only; nothing you touch is saved.
Build your own style - or pick from ours.
Mitchell James Hughes is a visual storyteller who lives between imagination and execution - a working storyboard artist whose craft turns scripts into cinematic moments long before the cameras roll. With nearly two decades across advertising, film, branded content and design, his work is rooted not just in drawing frames, but in emotion, pacing, composition and the language of cinema itself. Using the popular models for his own efficiency, he noticed handfuls of issues - so the StoryboardCanvas AI Artist became the frame brainchild of decades of work. Use chat mode, or deep-dive into the Frame Builder in Director mode, where every dropdown is synced to every detail, item and note, ready to attach to your prompt in seconds. He leaves his line, tone and colour as our signature artist style - pick any of his styles, or train your own AI artist with the style-bible engine, and the Style-Lock Engine holds every frame to that hand: clean line, greyscale tone or full colour.
Twenty frames of a real production - drawn, locked and made in StoryboardCanvas.
The Style-Lock Engine
Mitchell Hughes, StoryboardCanvas' founder and a working professional storyboard artist, drew the line, tone and colour himself. The look is real craft, not scraped off the internet.
Drop a few reference frames and run AI Style Sync. Your studio look becomes a locked artist you can pick from - exactly like Mitchell's - and reuse on every future board.
Your locked style sits above your prompt. Ask for photoreal and it stays on style - the locked look always wins, every single frame.
Every frame is scored against the reference for line, tone and colour, then automatically re-drawn the instant it falls off the look.
Repaint one corner of a frame and the engine redraws only that region - in the same locked hand, never the whole board.
The Frame Builder pulls every scene, character, prop and note from your project, so a board lands with your script's detail baked in - not a generic prompt.
One locked style, every creative mode:
Or lock your own. Drop a few reference frames, run AI Style Sync, and the engine holds every future frame to your studio look - across storyboards, posters, concept art and key art alike.
From our beta · what the testers said
Thirty-six anonymous beta testers - producers, directors, screenwriters, storyboard artists, designers, animators - pressure-tested the platform through Spring 2026. Names private, words in full. Scroll for more.
“These guys saved us from spreadsheet hell. Half our pre-production process used to live in Slack, the other half in random PDFs and Google Docs nobody could find. Having the boards, notes, call sheets and revisions all connected genuinely sped the whole job up.”
“Honestly? We came in expecting another gimmicky AI app. Stayed because the producer workflow stuff was actually solid.”
“The frame approval system ended up being weirdly addictive. Tiny thing, but being able to comment directly onto storyboard frames instead of sending giant feedback emails back and forth made revisions so much faster.”
“As a producer I care about one thing: time. If software saves me time, I keep using it. Storyboard Canvas saved us time almost immediately.”
“The beta was chaotic at first in the best possible way. New tools kept appearing every other week. One minute it was storyboards, then suddenly we had scheduling tools, script syncing, shot planning, notes, animatic timelines… felt like the software was evolving in real-time.”
“We used it on a music video shoot and the director stopped asking for PDF exports after day two because everyone was already working inside the project directly.”
“Most production software feels like it was designed by accountants. This actually feels made by filmmakers.”
“I'm a storyboard artist and was VERY sceptical going in. Thought it would just be another AI image generator pretending to understand production. But the continuity tools and frame organisation stuff is genuinely useful. It doesn't replace artists, it just cuts out loads of the repetitive admin around the job.”
“The call sheet builder saved our arse on a commercial. Client changed timings late in the evening and instead of rebuilding everything manually we updated it once and the whole production flow adjusted around it.”
“There's still bugs occasionally, but weirdly that made us trust it more because the dev team actually responds. We flagged an issue with frame ordering at like 11pm and woke up to a patch.”
“The writer tools surprised me most. I thought they'd be basic, but the script environment actually encourages visual pacing. You start thinking in shots while writing.”
“I've never seen software update this aggressively before. Sometimes you'd log in after a weekend and entire sections had changed.”
“The AI image generation is good, but the actual production pipeline around it is the real value. That's the bit competitors are missing.”
“We shaved days off pre-production during a branded campaign because producers, creatives and storyboard artists weren't constantly waiting on exports from each other.”
“The budgeting side needs more development still, but even in beta it gave us a clearer overview of where resources were going across the production.”
“Storyboard Canvas feels like someone finally realised filmmaking software shouldn't all exist in separate islands.”
“As a designer, I appreciated that the platform still leaves room for human taste and decision making. It speeds up process without flattening creativity.”
“The shot list generation got scary good over time. Early beta was rough. A few months later it was suggesting coverage ideas that actually made sense editorially.”
“Normally by the third revision cycle everybody starts losing track of what version they're even looking at. That basically disappeared during testing.”
“We initially only cared about generating boards quickly for agency pitches. Ended up using the script tools, scheduling, annotations and presentation modes way more than expected.”
“The platform still feels ambitious and slightly insane… but in a good way.”
“As someone who manages multiple departments, the biggest improvement was communication. Everyone was looking at the same ecosystem instead of 15 disconnected files.”
“The drawing app integration was what sold our storyboard team. Being able to paint over AI generations or adjust compositions directly inside the workflow felt surprisingly natural.”
“It feels less like software and more like a production workspace.”
“The continuity tracking genuinely helped on a longer-form job. Matching eyelines and geography across scenes became much easier when the boards, notes and shot progression all lived together.”
“Half the tools in film production feel like they hate creatives. This didn't.”
“The producer dashboard became our central hub during prep. Scripts, boards, references, shot notes, revisions, locations - all in one place. No more digging through ancient email chains trying to find Version_12_FINAL_FINAL_v2.pdf.”
“I think what impressed us most was that the developers clearly understand filmmaking language. Coverage, pacing, lenses, blocking, continuity… it's not just generic tech buzzwords pretending to be cinema.”
“We started using it for commercials and now we're testing it internally for drama development because the workflow is honestly smoother than some enterprise-level production tools.”
“The software occasionally overreaches, but I'd rather have a platform aiming too high than another boring stripped-back SaaS tool.”
“The animatic timeline tools are going to be huge once they mature properly. You can already see where it's heading.”
“As a writer/director, the coolest part was seeing rough scene ideas immediately become visual sequences. It changes the energy of brainstorming completely.”
“Clients understood ideas faster. That alone made it worth using.”
“It's the first AI production tool we've used where the human creative process still feels respected.”
“Six years working on commercials and music videos. Honestly never seen pre-production this consolidated in a single tool. Half the meetings I used to have just don't need to happen anymore - everyone's looking at the same boards, the same shot list, the same call sheet, updated live. That's the bit no one's solved before.”
“Three of us spread across London, Bristol and Berlin worked the same project in real time for two weeks. The fact that the director, producer and storyboard artist were all inside the same project file - boards updating live, comments threading on frames, scene revisions reflecting everywhere - was honestly the difference between a manageable week and a complete disaster.”
Dolly reads your project once - script, breakdown, schedule, call sheets, storyboards, every connected app - and stays mounted on every page from there. And she remembers: locked creative decisions, your standing taste, the bible of your film, carried between sessions.
Ask her anything and she answers from your live production data, not a guess - then offers to act on it. Agent mode proposes the addition; nothing is written until you approve it. Flip on double-check and she scores her own answer against the project's real facts before you ever see it. And when a question belongs to a specialist, she brings in the family - Marlowe on script, Sable on the money, Cass on the day, Indra on casting, Vee on continuity.
The decisions are yours. The repetitive work - the re-typing, the cross-checking, the "wait, did I update that everywhere?" - is what Dolly's there to take. On every paid plan, in every app.
Script, breakdown, schedule, cast, locations - all in sync. Edit one, the rest follow.
Locked decisions, your standing taste, the creative bible - carried between sessions, for the whole production.
Agent mode answers from live project data and proposes additions. Nothing is written until you approve each one.
Flip on double-check and every substantial answer is scored against your project's real facts - and revised - before you see it.
Marlowe (script), Sable (line producer), Cass (1st AD), Indra (casting), Vee (continuity) - specialists one click away.
Director's notes on your storyboard frames, plus a risk-ordered production briefing whenever you ask.
AGENT MODE - ask → she proposes with a field-by-field preview → you approve in one click → undo in one click. Plus the proactive modes: hourly production watch, a morning briefing, and a weekly director's review of your boards. She can even read the open web and bring back the references.
Every AI action shows its price before you click and charges only on success - quick chat starts at a quarter of a credit.
WORKING IN THE BACKGROUND
Scans every active project against its own risk rules - unsigned deal memos, a shoot day under-staffed, a budget line about to break - and flags it before it costs you.
Each day she assembles what needs your attention - self-checked against your real production data - and drops it straight into your notifications.
She looks at your storyboards with a director's eye and leaves notes on composition, coverage and continuity drift - a standing review you never have to ask for.
Every change she proposes waits in an inbox, across sessions - approve, undo, or dismiss whenever you're ready. Nothing is written without your say-so.
Hand her a multi-step goal and she drafts the plan; one approval runs the whole thing, checkpointed so it resumes exactly where it left off.
She remembers locked creative decisions and your standing taste between sessions, and tidies her own memory each week so it sharpens instead of bloating.
Background work is platform-gentle and never spends a credit without an owner - and you can turn any of it on or off per project.
Make it yours · the colour studio
Open the colour studio from the droplet in the menu bar - pick a curated palette or set your own accent for every one of the twenty apps. Switch between Light, Dark and Monochrome. Your theme saves to your account and follows you into every app, every session. Tailor it to your studio, your client, or your mood.
Look for thedroplet in the menu bar - on the marketing site and inside the app.
Built for filmmakers who want their tools to talk to each other and their AI to work for them, not over them. From £15/month - script to screen, on one bill.
Bi-weekly cadence. Public roadmap. Honest changelog. Every quality-of-life upgrade ships to every plan, retroactively. Here's the actual board.
Alpha just landed, on top of a fortnight of releases. Every entry is a real commit, dated, deployed.
The next two fortnights, scoped, dated, public. No NDA pitches.
Alpha is live - and this is everything still to come during it. The vote buttons are real: tap one and the count climbs for everyone. Top askers ship first.
All data and claims within this website are based on current software. Go have a look around in our read-only DEMO - please note some of the apps need a paid subscription. Track the developers in the changelog. Thanks for the on-going support - every share helps us keep the prices where they are.
We already know every cast, crew, department, and contributor on your production - we had to, to run your call sheets. So we built a button. Click it and you get a complete production credits roll, alphabetised by department, properly formatted for film and TV conventions, ready to drop into your edit.
Available on every paid tier · no extra cost
Each app carries its own colour in the in-app nav so you always know where you are. The project file underneath stays one - change a scene heading and every other app updates with you.
Ten apps for breakdown, budget, schedule, cast, crew, locations, props, vehicles, equipment, and the diary that saves your bond company.
AI tags every prop, costume, and SFX in seconds. No more hand-tagging.
The production cockpit. EFC + variance + hot-cost + bond reports + EPK - every morning, by 6am.
Top sheet to bottom line. Tax credits, fringes, cashflow and the firm bid - in one app.
Roster, deal memos, availability, character bibles. The cast book, automated.
Scouting, permits, logistics. Every shoot location, mapped and ready.
Inventory plus costume continuity, in one searchable library.
Picture cars and unit vehicles. Insurance, plates, drivers, scene refs.
Stripboard scheduling. Eight views. The one tool your AD will not fight you on.
Auto-generated from your schedule. SMS dispatch. Weather built in.
Crew plus equipment manifest. The on-set source of truth.
Production diary, DPRs, BTS gallery. The crew log that organises itself.
Six apps for the writers, directors, DPs, and visual storytellers - with DollyAI™ riding shotgun the whole way.
The screenplay editor that writes the breakdown for you.
AI-built from your script. Lens, framing, every shot mapped.
Storyboard frame editor. Ship boards your director will sign.
Pro-grade brush engine. GPU canvas. Apple Pencil Pro. In your browser.
Built by storyboard artists. Fed by your whole production - every frame already knows the scene.
Screenplay to playable animatic in one click.
Dashboard, files, team chat, cloud library - the connective tissue every other app rides on.
The launchpad. Every project at a glance.
Every asset, every version, every project. Searchable, shareable, never lost.
Channels for every shoot. No more lost messages.
Cloud-synced across every device. Reusable across every project.
FAQ
StoryboardCanvas is the complete script → shoot day software suite - 20 production apps covering the entire pipeline from first draft to wrap, powered by our proprietary IP: DollyAI™ (cross-module AI director), the Style-Lock Engine, the AI Image Engine (eight generation modes), Canvas Draw (GPU brush engine), Frame Brain (animate-aware AI), the Cross-App Spine, the Brand Kit Engine, and the IATSE Turnaround Engine. It's live and open to everyone - sign up, pick a plan, and start your production today. Every app is included on every tier; annual billing saves roughly 20%.
Six director apps (Script, Shotlist, Editor, Draw, AI Artist, Animate). Ten producer apps unified under one production stack (Breakdown, Cast, Locations, Props, Vehicles, Calendar, Call Sheet, Shoot, Diary, Budget). Four platform apps that tie them together (Dashboard, Files, Team Chat, Cloud Library). Twenty in total. They share one project file - change a scene heading once, and the breakdown, schedule, call sheet, and storyboard all update themselves.
It's a full screenplay word-processing suite - not a glorified textarea. Typed screenplay blocks with Tab cycling, intelligent element assist, scene navigator, dual dialogue, revision mode with industry-coloured pages and locked scene numbers, autosave history with named versions and editable drafts, comments with @-mentions, real-time multi-user collaboration, approval workflows, sides generation, episodic support, readthrough TTS, File/Edit/View/Help menus, and import/export for FDX, Fountain, Celtx, HTML, RTF, and PDF. Built to replace Final Draft entirely.
Those are single-purpose tools. StoryboardCanvas covers 22 out of 22 capabilities on our comparison matrix - Final Draft covers 3, Celtx 9, StudioBinder 14, Movie Magic 4, Gorilla 4, Boords 4, Storyboarder 3, LTX Studio 6, Midjourney 4. Change a scene heading once, and every dependent document updates. No copy-paste between five different logins.
DollyAI™ is not a chatbot. She's the AI director layered into every app in the suite - 200+ typed, prompt-engineered actions across every route, with selection awareness (knows which scene / shot / character / prop you've clicked) and image awareness (can see your storyboard frames, character photos, location scouts, props, vehicles, costumes, behind-the-scenes media, and recent AI generations). She's powered by a six-engine intelligence stack: production memory (remembers your film and your taste across sessions), agent mode (proposes changes with a field-by-field preview, your approval, and one-click undo), a self-critique loop, the AI Family of specialist department heads you can bring in by name (Marlowe, Sable, Cass, Indra, Vee), proactive briefings (an hourly watch, a self-checked morning briefing, a weekly frame review and an approval inbox), and deeper vision that reviews your actual frames. She can even read a web page or run a search when you ask. Per-row Ask Dolly menus on the major tables. Every action starts with a parallel 16-table project-context fetch so she answers with full awareness of your script, breakdown, cast, schedule and visual style bible - not generic chat. Streaming responses. Credit-gated, micro-billed from a quarter-credit. Included on every tier.
A world-beating web-based GPU-accelerated drawing engine with a custom brush builder. 450+ stock brushes across ink, pencil, oils, watercolour, charcoal, airbrush, gouache, chalk, markers and bristle sets. 120+ paper and canvas textures - cold-press, hot-press, rough, smooth. 15+ blend modes, non-destructive layers with groups / masks / alpha locks, adjustment layers, full stylus pressure + tilt, five smoothing modes, Adobe ABR brush-file import, 60fps rendering - all in your browser with no plugins, no install, no download. Start with stick figures for quick blocking or paint a finished frame.
Credits are the fuel for AI actions - every DollyAI™ chat, script action, breakdown, shotlist parse, and style-locked frame generation consumes credits. Simple actions cost 1–3 credits, image generations and long-context actions 10–25. Credits refresh monthly on your billing date. Solo and Team credits are use-it-or-lose-it, Studio gets 25% rollover, Agency and Network get 50% rollover, Broadcaster gets 100% rollover. Upgrading to a higher tier carries unused credits across automatically.
Eight: Hobbyist (£19/mo · gateway), Solo (£39/mo), Team (£99/mo), Studio (£269/mo · most popular), Agency (£599/mo), Network (£1,599/mo), Enterprise (£3,329/mo · self-serve enterprise), and Broadcaster (custom). Annual billing locks in 20% off any of the seven paid tiers. Every app, every feature, every export format is available on every tier - no feature gating, ever. Tiers differ only on seat count, monthly credits, queue priority, storage, and rollover policy. Hobbyist gets the same revision-mode Script app and the same DollyAI™ as Broadcaster.
Annual billing locks in 20% off any paid tier - equivalent to 2.4 months free over the year. Hobbyist £15/mo billed annually (£180/yr) versus £19/mo monthly. Solo £31/mo (£372/yr) versus £39/mo. Team £79/mo (£948/yr) versus £99/mo. Studio £215/mo (£2,580/yr) versus £269/mo. Agency £479/mo (£5,748/yr) versus £599/mo. Network £1,279/mo (£15,348/yr) versus £1,599/mo. Enterprise £2,663/mo (£31,956/yr) versus £3,329/mo. Cancel any time from the billing portal and keep access through the end of your paid period.
Yes. Script imports FDX (Final Draft), Fountain, Celtx, PDF, DOCX, RTF, and HTML - full screenplay fidelity. Breakdown imports StudioBinder CSVs. Schedule and stripboard import from Movie Magic Scheduling and Gorilla Scheduler CSV exports - vendor auto-detected, scene #, I/E, day/night, location, cast, page count, and duration all mapped automatically. Cast sheets from CSV/XLSX. Images from any common format. You can start mid-production without losing a single scene, strip, or deal memo.
Your account, billing and the whole marketing site work on any device, including your phone. The production app suite is built for a bigger canvas - a tablet (iPad 10.2" and up), laptop or desktop - because the script editor, stripboard, call sheets and drawing canvas genuinely need the room to work properly; on a smaller screen we show a friendly note pointing you to a larger device rather than cramming the UI. Canvas Draw runs with full stylus pressure + tilt on iPad, Surface and any Chromebook or Windows tablet. The on-set surfaces - call sheets, Shoot Day Live arrival check-in, diary entries, BTS photo capture - are tuned for the tablet you'll actually carry on set. No native install required, ever.
Real-time presence with live cursors and selection highlights across every app. Per-frame, per-line, and per-row comments with resolve/reopen threads, @-mentions, and email notifications. Review sessions with share tokens for external reviewers - they can approve, reject, or comment without creating an account. Role-based permissions (Owner, Editor, Commenter, Viewer). Team chat with channels and reactions. Full audit log.
You retain full commercial rights to everything you create on every paid tier. We never train on your projects. Your style bibles, scripts, cast data, and generated frames are yours. We use append-only audit logs for credits and immutable version snapshots for documents so nothing is ever silently deleted or altered.
Three-day grace period with full access, then read-only mode (you can still view and export everything), then after 14 days the account suspends. No data is ever deleted - reactivate any time and everything is exactly where you left it.
No - and we're unapologetic about it. Free-tier theatre costs us real money running your AI calls, and it costs you real time evaluating a deliberately crippled version of a tool you'd actually use. The apps aren't speculative: StoryboardCanvas replaces Final Draft, StudioBinder, Movie Magic Scheduling, Gorilla Budget, Filmustage, and Boords in one suite. It pays for itself on your first short, let alone your first feature. Hobbyist starts at £19/mo (or £15/mo billed annually) - full capability from day one. Solo at £39/mo (£31 annual) is the recommended starting tier with team-collaboration upgrades. Cancel any time from the billing portal and keep access through the end of your paid period. No retention traps, no guilt prompts. You can also explore a finished, read-only demo production right now - no sign-up, no card.
Yes - open the live read-only demo from the homepage. It loads a complete, finished production (script, breakdown, 8 shoot days, full cast and crew, call sheets, a £3.4M budget, storyboards and an animatic) so you can click through every app on real data without signing up or entering a card. You can look at everything; saving and AI generation are the parts you unlock when you join.
It's a full line-producing ledger, not a spreadsheet - twelve tabs covering Cost Report, Variance, Forecast, Top Sheet, Purchase Orders, Petty Cash and Rate Cards, plus a Tax Incentive Estimator that ranks film-tax-credit jurisdictions and compares up to three side by side, a Fringe Matrix with SAG-AFTRA / IATSE / DGA / non-union and BECTU preset packs, a Cashflow Schedule with peak-week and budget-exhaust warnings, an AICP Bid Builder that maps every line to a chart-of-accounts code and prints an agency-ready firm bid, and a Union Rate Finder with 30 dated 2026 scale rates and a live cost calculator. Per-line traffic-light readiness, contract uploads, VAT / locale tax handling and accounting exports (generic ledger, Xero, QuickBooks, and an authorised-payments bank file) are all built in. These tools are informational aids - you stay responsible for filings in your jurisdiction.
Yes. The Shoot app has a Safety tab with a 5×5 risk-assessment matrix and AI safety briefings; the Diary runs a due-diligence Compliance board with a daily safety score, an hours / turnaround / meal / daylight / incident check per shoot day, and an incident log. Cast carries a compliance document vault with a 30/14/7/1-day expiry ladder for COIs, work permits and releases, plus a child-performer work-hours tracker with jurisdiction-banded limits. The Calendar flags IATSE turnaround violations automatically. It's organisational support, not legal advice - local law remains your responsibility.
Yes. Script Distribution mints a separate watermarked link for each recipient - every page is stamped with that reader's name, links expire on a date you set, you can revoke any of them instantly, and you see download telemetry per recipient so a leaked PDF traces straight back to who shared it. There's also an AI Clearance Scanner that flags brands, real people, music, trademarks and artwork in your script for E&O review before you go to camera.
The marketing site and the app interface ship in fifteen languages (English, Spanish, French, German, Italian, Portuguese, Dutch, Polish, Turkish, Russian, Japanese, Korean, Chinese, Hindi and Indonesian), switchable from the language chip - your account, the demo and the everyday app chrome all follow your choice. Prices show an estimate in your local currency from live exchange rates, while billing itself is taken in GBP. Your actual work is never translated - your script stays in whatever language you wrote it.
Each paid tier includes a number of seats and a per-seat add-on price (Solo +£19/mo per seat up to 3, Team +£15 up to 10, Studio +£12 up to 25, Agency +£10 up to 50, Network +£8 up to 100). Seats are billed when you add them and end at the close of the current billing period when you remove one. The account owner controls exactly which apps and how many credits each seat can use, and read-only viewers are unlimited and free on every tier - bring in financiers, clients or department heads to look without paying for a seat.
No - that's the whole point. The cross-over importer takes a drop of almost anything: Movie Magic Scheduling, Final Draft, StudioBinder, Gorilla, Yamdu, Celtx or any screenplay file. We recognise the source, run an AI breakdown and route the result into the right apps automatically (Movie Magic stripboards come in structured, with no AI credits charged). Script also imports FDX, Fountain, Celtx, PDF, DOCX, RTF and HTML at full fidelity. You can pick up mid-production without losing a scene, strip or deal memo.
Approved storyboard frames flow straight into Animate, where you drop them on a timeline with 27 camera-move presets, transitions, easing (including Bounce), scratch audio and timing, then export to MP4 / MOV / WebM with audio plus editorial hand-off formats - XMEML (Premiere / DaVinci), FCPXML (Final Cut Pro X), EDL, OpenTimelineIO and SRT captions. The whole creative spine runs Script → Shotlist → Storyboard Editor → Animatic with one project file underneath, so nothing is re-typed or re-imported between stages.
The Producer app is the page a producer keeps open every morning: a live scorecard, hot-cost rollups, an AI overtime predictor, schedule-risk scoring, a deliverables tracker (ProRes master, DCP, stems, captions, QC, chain-of-title, E&O and more on a click-along delivery pipeline), an EPK / sales hand-off package, a PO command centre with approval routing, an immutable cross-app audit trail of every change, and a multi-project portfolio view. Weekly cost reports and DPRs assemble themselves from the spine and are ready to email by 6am.
Beyond your statutory consumer rights, refunds are considered case by case as a goodwill gesture - just contact us. You can cancel any subscription from the billing portal at any time and keep full access through the end of the period you've already paid for; we never delete your data when you cancel.
